"Leftovers is a photozine documenting the abandoned Christmas trees of London. The photos were taken from the beginning of January 2015, right up to the end of March. Ironically it seems the trees have a far longer lifespan on the streets than they do in our homes, and even since this book was printed i've seen a few trees, lurking, still awaiting their fate. All photos were shot on iPhone, primarily around the boroughs of Islington and Hackney." -- Artist's website (theleftovers.co)
"Where there's love overflowing is a publication by E.Jane published by GenderFail in conjunction with the exhibition E Jane: Where there's love overflowing, April 1-May 14, 2022 at The Kitchen. Where there's love overflowing expands on the exhibition themes based on the powerful ballad "Home", originally sung by Stephanie Mills as Dorothy in The Wiz in its Broadway premiere in 1975 and includes images and text featured in the exhibition. The publication also features new commissioned essay, When I think of home, by artist and writer Hannah Black, written exclusively for the publication." -- GenderFail website
1st edition of 300.
This science fiction is about escaping the world in a folding space ship. The folding of the book corresponds to the folding of the space-time continuum. Finally the space ship arrives at the alien planet.
"This zine is the prototype for QUEER MASSES, a collaborative project published quarterly by RUMTUM in 2020 with generous support from The Jerome Foundation and The Minnesota Center For Book Arts. This series explores the interaction between the historical role of the book as a social object, zines as an alternative information source for queer communities, and the narrowing space between artists' books and zines in a world in which all physical publishing is increasingly rare. Words and binding are by Sarah, images are by Jade."--Provided by the artists
"We made this zine while thinking about the expansion of language regarding genderqueer pronoun useage and the similarly expansive space we feel in our (physical/ metaphysical/ emotional) bodies as gender variant people." --Provided by the artists
"Employs photocopied collages of old school computer graphics and photographs. Tongue-in-cheek aristocratic overtones are evoked through images of falling coins, royally-minded fast-food joints, and Country Club Malt Liquor labels. Appearances by the cartoon characters Mr. Burns and Richie Rich as African-Americans complete the themes of urban royalty and riches." --Printed Matter.