Pratt Institute Sculpture Park

Noël Copeland’s Seven of Hearts (2007) can be found south of Dekalb Hall.

Noël Copeland’s Brooklyn Blooms (2009) can be found south of Dekalb Hall.

Leon Smith’s sculpture Red Cabinet (2004) is located west of Stabile Hall.

Grace Knowlton’s sculpture 6 Copper Spheres (1990–1999) is located between the Library and DeKalb Hall, near Hall St.

Knowlton has been creating spherical combines for many years. Her extensive studio grounds in Rockland County are covered with large panoplies of these forms in various clusters. The base materials vary: clay, cement, metal, collage, found objects, each sphere with its own individualized nature, but acting in unison.

Masaru Bando’s sculpture Imagine 95 (1995) is located between the Library and Dekalb hall, near Hall St.

Wendy Klemperer's sculpture Lions at the Gate (2001) is located to the southwest of the Library, near Hall St.

The pervading imagery of Klemperer's work reflects a lifelong fascination with animals. Her large-scale sculptures are often constructed from salvaged industrial refuse ravaged by demolition, transformed to contain energy and new life. The welding process is reminiscent of a gesture drawing—the skeletal, steel lines contain both presence and absence. The body language of these animals expresses a feeling or state of being, with motion conveying emotion. Lions at the Gate references heraldic lions, from medieval times back to the lion gate of Mycenae.

Siah Armajani’s sculpture Picnic Table (1999) is located near the entrance to the library.

Mark di Suvero's sculpture Paintbrush (2009) is between the Library and DeKalb Hall.

In 2015, Mark di Suvero began working on a series of sculptures that draw inspiration from the cut-outs of the French artist, Henri Matisse. One of these sculpture is Paintbrush. The playful potential for imminent change contained in its bowing curvilinear structure recalls the mutable paper and thumbtacks used by Matisse for continuous alterations.   

Martha Walker’s sculptor The End Justifies the Means, Justifies the End... (2009) is located south of the library to the east of the cannon.

Sung Ha No's sculpture Untitled (2007) is located south east of DeKalb Hall. 

Boaz Vaadia’s sculptures Sara (2002), Rebecca (2002), and Meir (2002) are all located south of the library to the east of the cannon. 

Santiago Calatrava's sculpture S7 (2011) is located between the Library and DeKalb Hall, near Ryerson Walk. 

This work, titled S7 was a part of seven monumental sculptures installed along the median of Park Avenue in New York City in 2015. The artist’s name has been most closely associated with his celebrated architectural designs of bridges and transportation centers built throughout the world, including the “Oculus” World Trade Center Transportation Hub in New York completed in 2016. Additionally, he has exhibited at The Metropolitan Museum of Art in New York (2005), The State Hermitage Museum in St. Petersburg (2012), and the Vatican Museum in Rome (2013). In reference to this series of prodigious sculptures Calatrava said “their relation to the natural world suggests a link between man and nature, implying the sculptures are found objects in a human forest.” Calatrava received an honorary doctorate of fine arts from Pratt Institute in 2012, conferred in recognition of his achievements as an architect, artist, and engineer.

Philippe Anthonioz's sculpture La Méditerranée (2016) is located near the South East corner of the Library. 

David Henderson’s Skylark (2005) is located across from the Main Building, between the Library and Ryerson Walk.

Skylark has certain artistic precedents in oversized pop art monuments, but here the non-referential aspect of the piece allows us to enjoy the gracious curved surfaces with semi-opalescent light. Held, seemingly tenuous on the curve of the tree, it has a bird-like lift, as referred to in its title. The clever engineering takes us from one full volume to an attenuated shaft . . . and then to another blossoming form above.

Ilan Averbuch's sculpture The Book of Stone and Steel (2005) is located west of the Main Building. His sculpture Leaf (1993) is located west of Memorial Hall.

Much of Averbuch’s work starts in books—ideas, images, and literal references that end up as sculptures. This work represents his relationship to books—the artist’s subjective intellectual heritage and ambivalence.

Richard Heinrich’s Epistrophy, Straight No Chaser, Round Midnight (2004) is located near the southeast corner of the library.

Ilan Averbuch's sculpture Leaf (1993) is located west of Memorial Hall.

Jack Youngerman's sculpture Swirl (1979) is located southeast of the  ISC Building, near Ryerson Walk.

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Jack Youngerman’s sculpture Hokusai’s Wave (1981) is located east of the  ISC Building, near Ryerson Walk. 

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Jack Youngerman’s sculpture Blade (1971) is located east of the  ISC Building, near where Ryerson Walk and Willoughby Ave. meet.

[PLEASE NOTE, THIS SCULPTURE IS CURRENTLY NOT ON DISPLAY]

Ann Jon’s sculpture Fourth Dimension (2001) is located northwest of the ISC Building, near the intersection of Willoughby Ave. and Hall St.

Takashi Soga’s sculpture Silent Beam (2003) is located south west of the ISC Building.

Leon Smith’s sculpture Triangle (2004) is located between the ISC Building and the Rose Garden.

In minimal but lyrical terms, Smith has created a tenuous triangle delicately balanced on two metal balls. The triangle almost disappears in the landscape; it seems to float freely.

Seán Slemon’s sculpture Block 700 (2007) is located between the ISC Building and the Rose Garden

Sandy Macleod's sculpture Uplifting (2000) is located between the ISC Building and the Library. 

Uplifting consists of found architectural and industrial objects, giving a voice to the remnants of urban landscapes that were once an integral part of our environment and economic world, but are now abandoned in the wasteland of industry. Heavy with their own histories and references, the repurposed contemporary composition of these otherwise seemingly useless pieces evokes a new appreciation of their strong aesthetic qualities.

Mark Parsons’ sculpture Object/Product (2006) is located southwest of the ISC Building near Hall St.

Bill & Mary Buchen's sculpture Wind Reeds (1999) is located north of the Library near Hall St. 

Tomasz Jan Groza’s sculpture Silo (2009) can be found to the west of North Hall.

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Alan Siegel’s sculpture Chair (1990) is located just south of South Hall.

George Sugarman’s sculpture Bench (Date unknown) is located south of East Building.

Nao Matsumoto sculpture Waiting for Coyote (2008-2009) is located on the east wall of East Building.

Tony Rosenthal’s sculpture Untitled (Date unknown) is located south of East Building.

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Nova Mihai Popa's sculpture Ecstasy (2006) is located between East Building and Pantas Hall, near Grand Walk.

James Tyler's sculpture Brickhead: Yemanga (2012) is located north of Esther Lloyd Jones Hall (ELJ). 

Michael Malpass’ sculpture Tool Ball (1979) is located to the northwest of Esther Lloyd Jones Hall.

Sang-Ho No’s Dream of Africa (2006) is located to the west of Esther Lloyd Jones Hall. 

Donald Lipski’s sculpture F.R.S.B. (1996) is hanging on the north wall of Esther Lloyd Jones Hall.

Cathey Billian’s sculpture Whispering Bench— Texting (2014) is located to the north of Esther Lloyd Jones Hall.

Phyllis Baker Hammond’s sculpture Maze 1 (2011) is located on the east side of the north wall of Esther Lloyd Jones Hall.

Allan Wexler’s sculpture Pratt Desk (2012) is located north of Pantas Hall near the security booth. 

Harry E. Leigh’s sculpture Saratoga Winter (2003) is hanging on the north wall of Pantas Hall.

Jim Osman's sculpture Compass II (2014) is located near the northwest corner of Pratt Studios.

Leon Smith’s sculpture Guardian (2001) is located just north of the Pratt Studios. 

Avital Oz’s sculpture Sun (2011) is located north of Pratt Studios near Grand Walk.

Grayson Cox's sculpture Half Story Mountain (2013) is between the Pratt Studios and the Engineering Building.

Dana L. Stewart’s sculpture Sitting on His Laurels (2000) is located south of the Engineering Building.

Mary Judge's sculpture Segmented Flower Form Part 1 (2008) is located north of the Juliana Curran Terian Design Center.

Karl Saliter's sculpture Particle/Wave, Time/Space Continuum (2004) is located just north of the Juliana Curran Terian Design Center. 

Beverly Pepper's sculpture Double Sbalzo (2012) is located west of the ARC Building, between the Engineering Building and the Juliana Curran Terian Design Center.

Double Sbalzo (the direct English translation is “jump”) is used here by the artist as a term applied to a metal process for armor and other metal objects when one metal is layered on another. This technique is mirrored in the second plane of the multi-leveled curve of this sculpture. Pepper has completed many large-scale commissions in the United States and abroad of indoor and outdoor installations. She studied at Pratt Institute in 1942.

Ruth McKerrell’s sculpture Ancient, Goatie Boy and Goat as Wolf (2012) is located north of Stabile Hall, near Willoughby Ave.

Alyssa Lingerfelt’s sculpture Growth Archetype (2007) is located north of Stabile Hall, near Willoughby Ave.

Raphael Zollinger’s sculpture Welcome II (2006) is located to the northeast of Stabile Hall, where Willoughby Ave. and Classon Ave. meet. 

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Gunnar Theel's sculpture Right Angles (Date unknown) is located to the east of Cannoneer Court.

Jim Osman's Butte (2014) is located to the west of Cannoneer Court.

Hans Van de Bovenkamp's sculpture Undulation (1974) is located south west of Cannoneer Court.

Salvatore Romano’s sculpture Aerated Rectangles (2004) is located near the northwest of Cannoneer Court. 

Neil Noland’s sculpture Spinoff (Date unknown) is located near the southwest corner of Stabile Hall.

Harry Gordon’s sculpture Sandalphon (2010) can be found to the west of Stabile Hall. 

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Neil Noland’s sculpture Promise (Date unknown) is located near the northwest corner of Stabile Hall.

Philip Grausman's sculpture Leucantha (1988-1993) is located south of Myrtle Hall.

Over the past 30 years, Grausman has been working on a series of monumental heads. These works are not portraits in any conventional sense, although they emanate from proportional studies of individuals. Rather, these heads suggest landscapes, an association expressed through a shared sense of scale.

Kenneth Snelson’s sculpture Black E.C. Tower (2006) is located south of Myrtle Hall.

The sculpture Black E.C. Tower belongs to a class of structures called “tensegrity,” first invented by Snelson in 1948. Tensegrity structures are composed of a network of taut tension wires enclosing an assembly of internal compression struts. Many of Snelson’s sculptures can be seen in public places and museums throughout the world. (Loan: Courtesy of Marlborough Gallery)